Marvel’s First Family is blasting into outer space but Reed Richards is hiding the motivation for their far out family getaway. The replacement heroes are targeted by a classic villain. Marvel revealed covers and teasers for Fantastic Four #2 by Matt Fraction and Mark Bagley and FF #2 by Fraction and Mike Allred.
FF #2 courtesy Marvel
Fantastic is the classic cast but FF is She-Hulk, Ant-Man, Medusa and She-Thing? What’s interesting about the Allred cover is the reflection showing the Richards/Grimm/Storm clan but with an old man – is that Nathaniel? Franklin?
How will Dragon-Man and other members of the Foundation react to the new FF?
Lady Shiva makes her DC Comics The New 52 debut going up against Dick Grayson. Legendary creator Tom DeFalco unleashes the assassin during this two-part story in Nightwing #13 and #14.
“You know, I’m not really sure. I think we had a big discussion — the people I was talking with were Brian Cunningham and Katie Kubert, and the three of us sat around and tossed out all sorts of possibilities and discussed different characters, what would be interesting, which character should we use, this or that. I remembered Brian said at one point, “You know, the character I always loved was Lady Shiva.” And then Katie talked of a different character with a ponytailed weapon. She described it to me and I said, “Wow, that is a really cool weapon!” [Laughs] So Brian made the call to give Shiva that other character’s weapon to make her more a visual threat. Then, I guess Brian discussed it with Mike Marts and the other Bat people and we decided to go with Lady Shiva.”
DeFalco says the story begins with Nightwing #0 and “this Lady Shiva is very different, but has the same traits in this completely new version of the character.”
Artist Andres Guinaldo will join DeFalco on the story.
Buffy the Vampire Slayer Season Nine #14 courtesy Dark Horse Comics
In Buffy, The Vampire Slayer Season Nine #14 Jane Espenson and Drew Greenberg will introduce a new slayer. Billy is a new character who trains himself to fight like a slayer. As revealed in OUT Billy is openly gay.
Editor Scott Allie tells Comic Book Resources part of Billy’s introduction is tied to the wedding of Northstar in Astonishing X-Men and revelation of Alan Scott in Earth 2.
“It’s funny. When we started seeing what Marvel and DC was doing, we thought, ‘Damn. They’re racing to get these stories out one after the other, so it’ll look like we’re chasing them. But we’d had this story planned for quite a while,” Allie said. “But I think you can see this as a natural extension of stuff Joss has done all along. Getting a gay male character doesn’t seem unusual for ‘Buffy.’ And it wasn’t so much that we wanted to get a gay character out in the mainstream for whatever reason. It was more that this is a story that Jane Espenson and Drew Greenberg wanted to tell. When you read the story, you’ll see that it’s responding to things in the culture beyond just representing gay male characters. There’s a bit of a response to the whole ‘It Gets Better’ campaign in a way that’s more than subtext. For Jane and Drew in particular, with the kinds of stories they’re used to telling and what they care about, the Buffy mythos was an extremely appropriate place to empower this young guy who needed to find a way to stand up for himself.”
Cobie Smulders as Maria Hill in Marvel’s The Avengers courtesy Marvel.com
Joss Whedon is lined up for Avengers 2 and a SHIELD television pilot for ABC. The creator tells MTV News don’t expect the focus on Nick Fury, Maria Hill and Earth’s Mightiest Heroes.
“It’s new characters. It needs to be its own thing,” said Whedon. “It needs to be adjacent [to the MCU] but you don’t want to do a show where you’re constantly going, ‘Iron Man just left, but he was totally here a minute ago.’ You want them to do their own thing.”
“Well, what does S.H.I.E.L.D. have that the other superheroes don’t? And that, to me, is that they’re not superheroes,” said Whedon. “But they live in that universe. Even though they’re a big organization, that [lack of powers] makes them underdogs, and that’s interesting to me.”
Clay Quartermain? Valentina? Dum Dum Dugan? Who will join the TV SHIELD?
Marvel shared John Romita Jr’s cover to Captain America #2 and this teaser for the second issue. Arnim Zola leaves Steve trapped into Dimension Z. Steve has saved the life of Zola’s son but barbarians are on the attack.
Daniel Way and Steve Dillon on a brand new Thunderbolts! That alone is cool.
And the new team is Red Hulk, Punisher, Elektra, Venom and Deadpool!
Justice like lightning will flash blood-red in this brand new Marvel NOW series.
Way tells Marvel.com his past experience with solo books is what drew him to this team concept.
“My work on solo characters has probably been my strongest, and it’s definitely what I’m most comfortable writing. That being said, the idea—and the challenge—of writing a team book had been steadily moving to the front of my mind for several years. When I was presented with this team, in particular—a team of “lone wolf” characters—it was like a dream come true.”
With this kind of roster and concept expect Way to be unleashed on this book.
“This is the team that takes on the big problems others can’t or won’t. The easiest way to explain this is to look at the real world. Though there are atrocities committed all over the world, why is it the U.S. government intervenes in only some of these cases, rather than all? The reasons, sadly and invariably, are rooted in politics. The Thunderbolts have no politics. Of course, this being a comic book with an unlimited special effects budget, rest assured that any conflict into which this team enters will definitely be on the epic side of the scale. With this cast of characters? There’s no way I’m going to hold back.”
Way delivers this tease making Thunderbolts #1 a book you can’t refuse.
“By the time the first story arc concludes, the Thunderbolts will have done something that will have everyone—everyone—in the Marvel universe screaming for their blood. What that is and how it happens starts on the first page of the first issue.”
THIS POST CONTAINS MAJOR PLOT POINTS FROM AVENGERS VS. X-MEN #11
IF YOU HAVE NOT READ AVX#11 YET PLEASE NO READ MORE
SERIOUSLY
HERE IT COMES
Avengers vs. X-Men #11 is an epic and heartbreaking chapter that brings the complicated lives of Scott Summers, Professor Charles Xavier and in a way Jean Grey full circle. I don’t mean to offend any religious sensibilities with my next point. Professor X, Cyclops and the Phoenix Force are the mutant father, son and cosmic spirit.
Cyclops has been driven his entire life. Driven to lead by Professor X. Driven to extreme measures to save his fellow mutants. Now the Phoenix Force has driven Scott to nearly destroy the woman he loves and kill his mentor.
Brian Michael Bendis tells Marvel.com why this story led to the Professor’s death.
“When I joined the X-Men office I was quite surprised what a polarizing figure Charles Xavier had become among the editors, creators, and readers. Maybe it’s because he’s bald but I never have a problem with him. Analyzing it, it is clear that the franchise just simply outgrew him. All of the characters had moved on to a place where Charles himself wasn’t really needed anymore. I don’t think anyone did it on purpose; it was just one of those organic storytelling things.
I spent a lot of time championing his place in Avengers Vs. X-Men only to find that I was really one of the only [people] who cared how he felt about the whole thing. After one of our retreat days a small group of us got together and the question was brought up that maybe he would be more interesting dead post-AvX than he was in life pre-AvX.
Knowing what my plans were post AvX [with ALL-NEW X-MEN], the death of Charles Xavier made every scene I have coming up for the next year more passionate, more interesting and more controversial. I was very happy that we voted to whack the man.
A small group of us getting together to decide to murder Charles Xavier is all sounding very Godfather-ish. [Laughs]
Avengers vs. X-Men #11 courtesy Marvel
Bendis reveals the consequences of this death.
“Charles Xavier is a founding father of the pro-mutant movement. If there is a mutant living by that manifesto, he or she is living a manifesto invented by Charles Xavier. The other mutants all around the Marvel Universe will have very strong feelings about his death. Some will try to carry on his message, others will decide that the dream is dead, and others will never forget Scott Summers for what he has done and will do everything in their power to make every day of his life a nightmare.”
Bendis is not just a writer. He’s a fan. Bendis explains how it feels to kill an icon in such a dramatic confrontation?
“It felt very Shakespearean. I don’t always write in a very Shakespearean way but as I was putting the final touches on the scene and then when I saw the pencils I was quite surprised how large the tragedy truly felt. Not only does Cyclops, who is arguably not in control of his own actions, [to] murder his father, for lack of a better word, but he does it in front of every major player in the Marvel Universe. This isn’t some rumor that’s been spread around. Everyone saw him do it. Scott knows what he has done.
And then I was struck with the feeling that as the new writer of X-Men I was walking into the franchise as the man who murdered Charles Xavier, gave Wolverine his memories back, and decimated the mutant population without even being on an X-Men book. And then I thought I may need to unplug my computer once and for all. [Laughs]
How does a lifelong X-Men fan like myself feel? I write this review while it’s still pretty raw.
This book is brilliant. Even as I saw what was building I still felt the shock and awe as each powerful moment happened.
Captain America’s plea and the Hulk’s answer – perfection.
Olivier Coipel has drawn one of the most beauitful images of Rogue ever created.
The cover promised a massive fight but I love how Emma and Scott’s conflict slowly burned into that shocking moment when Cyclops seized Emma’s share of the force.
I’m so impressed that Bendis used Bobby as the voice against Scott instead of Logan, again.
“This is what it felt like for Jean” was the moment that just nailed me in the heart. As a guy who still might cry while reading the original Dark Phoenix Saga seeing Scott possessed by the entity was as scary and saddening.
The nightmare comes full circle: Scott is now the Dark Phoenix.
The New Mutants graphic novel cover courtesy Marvel.com
I was thrilled to see two New Mutants in the lineup of the upcoming Avengers relaunch. Jonathan Hickman welcomes Cannonball and Sunspot to his massive roster that’s still be revealed. Marvel Executive Editor Tom Brevoort tells Comics Newsarama why Sam and Roberto are on board.
“The real answer to that is at least trifold. We’ve talked about this a little bit going into Marvel NOW! — we’re making a concerted effort to erase the invisible fence that exists around the world of X-Men. By the nature of those books, and it goes back 20-25 years at this point, the X-Men, while they exist in the Marvel Universe proper, tend to sit in their own corner a lot. We’re actively looking not to make everything the same, but to erase those boundaries; erase that feeling that it’s strange or weird when an X-Men character shows up in a non-X-Men book, and vice versa.
In the same sort of way that in the adjectiveless X-Men book they’ve been doing a lot of work to try and get the X-Men out interacting with other heroes in the Marvel Universe, and fighting villains that are not just the same core of X-Men mutant villains that they’ve always battled, we’re going to be trying to do the same sort of thing in a more global sense. It’s not like we’re going to be forcing X-Men or X-Men villains into Spider-Man, or whatever, but we’re trying to make it a little easier if there’s a Spider-Man story to be told that involves some aspect of the X-Men, for people to feel like, “Yeah, that’s easy.” It’s like using anybody else. It’s all one place and one Marvel Universe. So the fact that we’re bringing in some other characters from that corner just serves to underline and reinforce that a little bit.
It also sort of shows that the movement taken in Uncanny Avengers and the motivation for that team is not simply a token outreach. The impel that will drive the world to have a more comingled Avengers and mutant and non-mutant set-up is not limited to one crew of folks. Plus, as usual, we wanted to bring some new faces in. Jonathan wanted to bring in characters that he was interested in and likes, and he really loves Cannonball and Sunspot. It’s good to have some relatively younger characters in the Avengers mix, that always makes for a good dynamic. They are a good two-hander comedy act in the way of Ben and Johnny or Ben and Spidey over in the FF books. It just puts them on a different playing level. Plus, they’re storied enough characters now — they go back to 1982 — that they feel legitimate as Avengers. It’s a funny thing, and I really didn’t codify it even for myself quite until Brian was doing New Avengers, but once characters have been around in the Marvel Universe a certain amount of time — it’s a vague amount, there’s no set time, it’s just a feeling — you put them in the Avengers, and they feel legitimate. Luke Cage being an Avenger, nobody really blinked at that. He goes back to the ’70s, he’s a quote-unquote “real” Marvel character. He’s not a Johnny Come Lately or a fly-by-night or a new fangled idea. He’s real Marvel. Spider-Woman is real Marvel. Iron Fist is real Marvel. And at this point, Cannonball and Sunspot are real Marvel. You see them there, and you go, “It’s interesting, it’s different, it’s odd, I’m not used to seeing them hanging out with those people” — but they don’t feel like they haven’t earned their place. They’re still youthful characters in relation to the other characters around them, but they’re storied enough that you can look at them standing in the midst of all of those other guys and go, “Yeah, OK, I buy it.”
Avengers #1 courtesy Marvel
Brevoort addresses concerns over the blending of X-Men and Avengers.
“First of all, I think the fear that having mutant characters appearing in Avengers or other books is going to water everything down or destroy the X-Men is a baseless fear. It’s a fear that stems from literally just fear itself. “You’re going to break this thing that I love by mixing it up with this other stuff that I don’t care as much about.”
“The premise of X-Men is that it’s a book about a demographic. It’s a book about these people, and their struggle of their existence. They wake up at a certain point and they have wings, or they have fur all over their bodies, and they have to deal with that, and adjust to that, and that’s the world they live in. In the same sort of way that Spider-Man being on the Avengers didn’t mean the average Spider-Man adventure was about him rocketing to the moon to fight cosmic bad guys over the Infinity Gauntlet, having X-Men in the Avengers doesn’t mean that every X-Men story is now going to be an Avengers story.
All New X-Men #1 courtesy Marvel
“In some ways, it may hopefully mean the focus of X-Men stories can be more concretely about what that series is about, what that premise is, and the ongoing soap opera of those character relationships, and dealing with one another, and dealing with being part of this particular minority who’s hated and feared by a world that doesn’t understand them. Those themes always work for the X-Men, and they’re really the heart of the X-Men. The fact that the X-books sort of became segregated; that I don’t think had anything really to do with the heart of their appeal. That was just something that happened, and then everybody kind of got used to it, and it’s “the way things are, therefore, it’s the way we like it.” But I don’t believe there’s any real relationship between the books staying to themselves, and that is why people like them. I think people liked them why they didn’t, I think people liked it was just one comic book, and it was just done really well, and people dug the characters and dug the conflicts that they were doing through — and the soap opera, and the romance, and the life or death struggles. I think all of that stuff can, should, and hopefully will be maintained on the X-books going forward. Certainly Brian’s not coming on X-Men to take a half-hearted stab at doing great X-Men stories.”
New Mutants #16 courtesy Marvel
I have posted before that New Mutants are like the Teen Titans and Cannonball is like Nightwing. In the real world these younger heroes would take on the leadership roles and become the big iconic heroes of their respective universes.
This is comic books – Cyclops, Storm or Wolverine will always be the X-Men leader so I’m excited to see Sam shine as one of Earth’s Mightiest Heroes and represent the mutant race on the Avengers.
